João Penalva

  • João Pemalva - Personage (Alexandre Vassiliev, costumes for Dom Quixote, Bolshoi Theatre, 1989. Reproduced for CNB, Lisbon, 1990)
    João Penalva
    Personage (Alexandre Vassiliev, costumes for Dom Quixote, Bolshoi Theatre, 1989. Reproduced for CNB, Lisbon, 1990), 2024
    Archival inkjet print dry-mounted on AluDibond, museum board, museum glass, oak frame.
    157,5 x 121,5 cm
    Edition of 3 plus 1 artist's proof
  • João Penalva - Found Tuscan film spool with an untitled, undated film by David Evans for the Ceramics, Glass and Mineral Products Industry Training Board, United Kingdom (No. 1)
    João Penalva
    Found Tuscan film spool with an untitled, undated film by David Evans for the Ceramics, Glass and Mineral Products Industry Training Board, United Kingdom (No. 1), 2022
    Digital pigment print on Moab 320gr paper dry-mounted on Ali-Dibond, museum board, acrylic glass, oak frame.
    124 x 103,5 cm
  • João Penalva - Found Tuscan film spool with an untitled, undated film by David Evans for the Ceramics, Glass and Mineral Products Industry Training Board, United Kingdom (No. 2)
    João Penalva
    Found Tuscan film spool with an untitled, undated film by David Evans for the Ceramics, Glass and Mineral Products Industry Training Board, United Kingdom (No. 2), 2022
    Digital pigment print on Moab 320gr paper dry-mounted on Ali-Dibond, museum board, acrylic glass, oak frame.
    124 x 103,5 cm
  • João Penalva - Macpherson — detail of an intaglio print by A. Fullarton & Co, Edinburgh and London, 1833, of a tartan designed in 1819 by Wilsons of Bannockburn, scanned and enlarged 3175%, and digitally printed in 2020
    João Penalva
    Macpherson — detail of an intaglio print by A. Fullarton & Co, Edinburgh and London, 1833, of a tartan designed in 1819 by Wilsons of Bannockburn, scanned and enlarged 3175%, and digitally printed in 2020, 2021
    Intaglio print on paper, museum board, museum glass, oak frame and UV printing on AluDibond, oak frame
    16 x 49 cm / 30,5 x 19,7 cm / 150,4 x 200,3 cm
  • João Penalva - Kichiya Japanese paper doll
    João Penalva
    Kichiya Japanese paper doll, 2018
    Solarised silver gelatine print dry-mounted on Dibond, museum board, typed paper, oak frames, glass
    83.8 x 63.8 cm
  • João Penalva - Greg
    João Penalva
    Greg, 2017
    UV printing on cotton canvas, acrylic paint, oil pastel, cotton and synthetic sewing thread, plastic and hand-painted oak frame
    160 x 121,5 cm
  • João Penalva - Glenda
    João Penalva
    Glenda, 2017
    UV printing on cotton canvas, acrylic paint, cotton sewing thread, plastic, and hand painted oak frame
    205 x 132 cm
  • João Penalva - W1W 8QN
    João Penalva
    W1W 8QN, 2015
    Archival pigment printing on linen dry-mounted on Alu-Dibond
    226 x 150 cm
  • João Penalva - Moth-eaten cardigan
    João Penalva
    Moth-eaten cardigan, 2011
    Pigment prints on Hahnemühle Photo Rag Bright White 310g paper mounted on Dibond, card, acrylic glass, waxed oak frame
    130 x 97 x 3 cm
    Edition of 3 plus 1 artist's proof
  • João Penalva - Moth-eaten pair of trousers. Never used.
    João Penalva
    Moth-eaten pair of trousers. Never used., 2010
    Pigment print on Hahnemühle Photo Rag Bright White 310g paper mounted on Dibond, card, Plexiglass, waxed oak frame
    178 x 135 cm
    Edition of 3 plus 1 artist's proof
  • João Penalva - Deaf boy's bone
    João Penalva
    Deaf boy's bone, 2010
    Silver bromide print on Ilford Warm Tone Glossy fibre paper and pigment print on Hahnemühle Photo Rag Bright White 310g paper mounted on Dibond, card, waxed oak frame and Plexiglass
    205.4 x 152 x 6 cm
    Edition of 3 plus 1 artist's proof
  • João Penalva - Master Nanyo's dark evening shadows (II)
    João Penalva
    Master Nanyo's dark evening shadows (II), 2007
    Pigment prints on Inova Photo Smooth Cotton 310g paper, dry-mounted on Dibond, card, acrylic glass, oak frame
    121,8 x 91,8 x 3 cm
    Edition of 3 plus 1 artist's proof
  • João Penalva - Lyric Stage Door
    João Penalva
    Lyric Stage Door, 2006
    Pigment print on Inova FineArt Natural White 315 g paper dry-mounted on Dibond, acrylic glass, lacquered teak frame
    76 x 120 x 3 cm
    Edition of 3 plus 1 artist's proof
  • João Penalva - O kensan perdido do Mestre Nanyo
    João Penalva
    O kensan perdido do Mestre Nanyo, 2006
    Pigment print on Hahnemühle Photo Rag Bright White 310 g paper dry-mounted on Dibond, acrylic glass, oak frame
    178 x 114 x 3,5 cm
    Edition of 3 plus 1 artist's proof
  • João Penalva - Yusuke’s sheepskin coat
    João Penalva
    Yusuke’s sheepskin coat, 2006
    Pigment print on Innova Natural White 310g paper dry mounted on aluminium, oak frame and acrylic glass
    230 x 152 x 5,5 cm
    Edition of 3 plus 1 artist's proof
  • João Penalva - Namba-naka 2 cho-me (#4)
    João Penalva
    Namba-naka 2 cho-me (#4), 2005-06
    Archival pigment print on Innova Smooth Cotton High White 315 gsm paper, dry-mounted on Alu Reynobond, acrylic glass, oak frame
    203 x 153 x 6 cm
  • João Penalva - Minamisemba 1 cho-me
    João Penalva
    Minamisemba 1 cho-me, 2005-06
    Archival pigment print on Innova Smooth Cotton High White 315 gsm paper, dry-mounted on Alu Reynobond, acrylic glass, oak frame
    203 x 153 x 6 cm
  • João Penalva - Namba-naka 2 cho-me (#3)
    João Penalva
    Namba-naka 2 cho-me (#3), 2005-06
    Archival pigment print on Innova Smooth Cotton High White 315 gsm paper, dry-mounted on Alu Reynobond, acrylic glass, oak frame
    203 x 153 x 6 cm
  • João Penalva - Ichidai Onna - Detail from the cover of Ichidai Onna, by Saikaku Hiara, Published in Tokyo in 1924 or 1926 by Nippon Kite Zensyu Kanko Kai
    João Penalva
    Ichidai Onna - Detail from the cover of Ichidai Onna, by Saikaku Hiara, Published in Tokyo in 1924 or 1926 by Nippon Kite Zensyu Kanko Kai, 2003
    Two parts
    Pigment prints on Somerset Velvet Enhanced 330 g paper mounted on Dibond, acrylic glass, maple frames
    22 x 22 x 1,5 cm
    147 x 115 x 3 cm
  • João Penalva - If we are not to disturb the glow
    João Penalva
    If we are not to disturb the glow, 2003
    Pigment print on Somerset Velvet Enhanced 330 g paper, graphite on paper, acrylic glass, oak frame
    52 x 42 x 3,5 cm
  • João Penalva - Reeds (II)
    João Penalva
    Reeds (II), 2003
    Solarised silver gelatin print on fibre paper
    40 x 50,5 cm
  • João Penalva - Reeds (I)
    João Penalva
    Reeds (I), 2003
    Solarised silver gelatin print on fibre paper
    40 x 50,5 cm
  • João Penalva - Addressing the weeds in Hiroshima
    João Penalva
    Addressing the weeds in Hiroshima, 1997
    Dried plants, ink on paper, printed paper, acrylic glass frames and wall text
    220 x 420 x 5 cm
  • João Penalva - Diz-se no Japão
    João Penalva
    Diz-se no Japão, 1997
    Ink on printed paper and marker pen on wood, acrylic glass frames
    61 x 51 x 3 cm (each)
  • João Penalva - Trio
    João Penalva
    TRIO, 1994
    Four parts
    Acrylic paint and marble dust on canvas, tempera and graphite on graph paper, glass, teak frames
    214 x 475,5 x 9 cm