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João PenalvaPersonage (Alexandre Vassiliev, costumes for Dom Quixote, Bolshoi Theatre, 1989. Reproduced for CNB, Lisbon, 1990), 2024Archival inkjet print dry-mounted on AluDibond, museum board, museum glass, oak frame.157,5 x 121,5 cmEdition of 3 plus 1 artist's proof -
João PenalvaFound Tuscan film spool with an untitled, undated film by David Evans for the Ceramics, Glass and Mineral Products Industry Training Board, United Kingdom (No. 1), 2022Digital pigment print on Moab 320gr paper dry-mounted on Ali-Dibond, museum board, acrylic glass, oak frame.124 x 103,5 cm
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João PenalvaFound Tuscan film spool with an untitled, undated film by David Evans for the Ceramics, Glass and Mineral Products Industry Training Board, United Kingdom (No. 2), 2022Digital pigment print on Moab 320gr paper dry-mounted on Ali-Dibond, museum board, acrylic glass, oak frame.124 x 103,5 cm
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João PenalvaMacpherson — detail of an intaglio print by A. Fullarton & Co, Edinburgh and London, 1833, of a tartan designed in 1819 by Wilsons of Bannockburn, scanned and enlarged 3175%, and digitally printed in 2020, 2021Intaglio print on paper, museum board, museum glass, oak frame and UV printing on AluDibond, oak frame16 x 49 cm / 30,5 x 19,7 cm / 150,4 x 200,3 cm
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João PenalvaKichiya Japanese paper doll, 2018Solarised silver gelatine print dry-mounted on Dibond, museum board, typed paper, oak frames, glass83.8 x 63.8 cm
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João PenalvaGreg, 2017UV printing on cotton canvas, acrylic paint, oil pastel, cotton and synthetic sewing thread, plastic and hand-painted oak frame160 x 121,5 cm
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João PenalvaGlenda, 2017UV printing on cotton canvas, acrylic paint, cotton sewing thread, plastic, and hand painted oak frame205 x 132 cm
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João PenalvaW1W 8QN, 2015Archival pigment printing on linen dry-mounted on Alu-Dibond226 x 150 cm
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João PenalvaMoth-eaten cardigan, 2011Pigment prints on Hahnemühle Photo Rag Bright White 310g paper mounted on Dibond, card, acrylic glass, waxed oak frame130 x 97 x 3 cmEdition of 3 plus 1 artist's proof
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João PenalvaMoth-eaten pair of trousers. Never used., 2010Pigment print on Hahnemühle Photo Rag Bright White 310g paper mounted on Dibond, card, Plexiglass, waxed oak frame178 x 135 cmEdition of 3 plus 1 artist's proof
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João PenalvaDeaf boy's bone, 2010Silver bromide print on Ilford Warm Tone Glossy fibre paper and pigment print on Hahnemühle Photo Rag Bright White 310g paper mounted on Dibond, card, waxed oak frame and Plexiglass205.4 x 152 x 6 cmEdition of 3 plus 1 artist's proof
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João PenalvaLyric Stage Door, 2006Pigment print on Inova FineArt Natural White 315 g paper dry-mounted on Dibond, acrylic glass, lacquered teak frame76 x 120 x 3 cmEdition of 3 plus 1 artist's proof
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João PenalvaO kensan perdido do Mestre Nanyo, 2006Pigment print on Hahnemühle Photo Rag Bright White 310 g paper dry-mounted on Dibond, acrylic glass, oak frame178 x 114 x 3,5 cmEdition of 3 plus 1 artist's proof
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João PenalvaYusuke’s sheepskin coat, 2006Pigment print on Innova Natural White 310g paper dry mounted on aluminium, oak frame and acrylic glass230 x 152 x 5,5 cmEdition of 3 plus 1 artist's proof
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João PenalvaNamba-naka 2 cho-me (#4), 2005-06Archival pigment print on Innova Smooth Cotton High White 315 gsm paper, dry-mounted on Alu Reynobond, acrylic glass, oak frame203 x 153 x 6 cm
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João PenalvaMinamisemba 1 cho-me, 2005-06Archival pigment print on Innova Smooth Cotton High White 315 gsm paper, dry-mounted on Alu Reynobond, acrylic glass, oak frame203 x 153 x 6 cm
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João PenalvaNamba-naka 2 cho-me (#3), 2005-06Archival pigment print on Innova Smooth Cotton High White 315 gsm paper, dry-mounted on Alu Reynobond, acrylic glass, oak frame203 x 153 x 6 cm
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João PenalvaIchidai Onna - Detail from the cover of Ichidai Onna, by Saikaku Hiara, Published in Tokyo in 1924 or 1926 by Nippon Kite Zensyu Kanko Kai, 2003Two parts
Pigment prints on Somerset Velvet Enhanced 330 g paper mounted on Dibond, acrylic glass, maple frames22 x 22 x 1,5 cm
147 x 115 x 3 cm -
João PenalvaIf we are not to disturb the glow, 2003Pigment print on Somerset Velvet Enhanced 330 g paper, graphite on paper, acrylic glass, oak frame52 x 42 x 3,5 cm
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João PenalvaAddressing the weeds in Hiroshima, 1997Dried plants, ink on paper, printed paper, acrylic glass frames and wall text220 x 420 x 5 cm
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João PenalvaDiz-se no Japão, 1997Ink on printed paper and marker pen on wood, acrylic glass frames61 x 51 x 3 cm (each)
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João PenalvaTRIO, 1994Four parts
Acrylic paint and marble dust on canvas, tempera and graphite on graph paper, glass, teak frames214 x 475,5 x 9 cm
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