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João PenalvaReclining Nude (Abstract), 2025UV print on linen, oak frame117,8 x 276,5 x 4 cm -
João PenalvaComposition with two Nineteenth-century Japanese paper bags for the storage and carrying of silkworm cocoons and other dry goods, and used cotton velvet from MacCulloch & Wallis, 21 Poland Street, London W1, 2025Paper collage on cotton velvet, glass and oak frame and UV printing on Dibond and oak frame
236,7 x 139 x 9,3 cm and 41,8 x 31,3 cm -
João PenalvaJohn Tanner 1892, 2025Enamel paint on wood, screws, graphite, cotton velvet, UV printing on Dibond, oak frames, glassWall installation 193,5 x 281x3 x 8 cm
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João PenalvaPhilharmonie, after Erich Fritz Reuter (1911–1997), 2025Oil and oil pastel on linen and burlap collage and oak frame172 x 279 x 4 cm
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João PenalvaShiroyama, 2025UV printing on linen dry-mounted on Dibond and oak frame161,7 x 108,2 x 4 cm
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João PenalvaPersonage (Alexandre Vassiliev, costumes for Dom Quixote, Bolshoi Theatre, 1989. Reproduced for CNB, Lisbon, 1990), 2024Archival inkjet print dry-mounted on AluDibond, museum board, museum glass, oak frame.157,5 x 121,5 cmEdition of 3 plus 1 artist's proof
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João PenalvaFound Tuscan film spool with an untitled, undated film by David Evans for the Ceramics, Glass and Mineral Products Industry Training Board, United Kingdom (No. 1), 2022Digital pigment print on Moab 320gr paper dry-mounted on Ali-Dibond, museum board, acrylic glass, oak frame.124 x 103,5 cm
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João PenalvaFound Tuscan film spool with an untitled, undated film by David Evans for the Ceramics, Glass and Mineral Products Industry Training Board, United Kingdom (No. 2), 2022Digital pigment print on Moab 320gr paper dry-mounted on Ali-Dibond, museum board, acrylic glass, oak frame.124 x 103,5 cm
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João PenalvaMacpherson — detail of an intaglio print by A. Fullarton & Co, Edinburgh and London, 1833, of a tartan designed in 1819 by Wilsons of Bannockburn, scanned and enlarged 3175%, and digitally printed in 2020, 2021Intaglio print on paper, museum board, museum glass, oak frame and UV printing on AluDibond, oak frame16 x 49 cm / 30,5 x 19,7 cm / 150,4 x 200,3 cm
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João PenalvaKichiya Japanese paper doll, 2018Solarised silver gelatine print dry-mounted on Dibond, museum board, typed paper, oak frames, glass83.8 x 63.8 cm
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João PenalvaGreg, 2017UV printing on cotton canvas, acrylic paint, oil pastel, cotton and synthetic sewing thread, plastic and hand-painted oak frame160 x 121,5 cm
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João PenalvaGlenda, 2017UV printing on cotton canvas, acrylic paint, cotton sewing thread, plastic, and hand painted oak frame205 x 132 cm
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João PenalvaW1U 1PW, 2015Archival pigment printing on linen dry-mounted on Alu-Dibond226 x 150 cm
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João PenalvaPeople On Air, 2014Wall paint and digital printing on paperVariable dimensions
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João PenalvaMoth-eaten pair of trousers. Never used., 2010Pigment print on Hahnemühle Photo Rag Bright White 310g paper mounted on Dibond, card, Plexiglass, waxed oak frame178 x 135 cmEdition of 3 plus 1 artist's proof
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João PenalvaLyric Stage Door, 2006Pigment print on Inova FineArt Natural White 315 g paper dry-mounted on Dibond, acrylic glass, lacquered teak frame76 x 120 x 3 cmEdition of 3 plus 1 artist's proof
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João PenalvaO kensan perdido do Mestre Nanyo, 2006Pigment print on Hahnemühle Photo Rag Bright White 310 g paper dry-mounted on Dibond, acrylic glass, oak frame178 x 114 x 3,5 cmEdition of 3 plus 1 artist's proof
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João PenalvaYusuke’s sheepskin coat, 2006Pigment print on Innova Natural White 310g paper dry mounted on aluminium, oak frame and acrylic glass230 x 152 x 5,5 cmEdition of 3 plus 1 artist's proof
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João PenalvaNamba-naka 2 cho-me (#4), 2005-06Archival pigment print on Innova Smooth Cotton High White 315 gsm paper, dry-mounted on Alu Reynobond, acrylic glass, oak frame203 x 153 x 6 cm
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João PenalvaIchidai Onna - Detail from the cover of Ichidai Onna, by Saikaku Hiara, Published in Tokyo in 1924 or 1926 by Nippon Kite Zensyu Kanko Kai, 2003Two parts
Pigment prints on Somerset Velvet Enhanced 330 g paper mounted on Dibond, acrylic glass, maple frames22 x 22 x 1,5 cm
147 x 115 x 3 cm -
João PenalvaIf we are not to disturb the glow, 2003Pigment print on Somerset Velvet Enhanced 330 g paper, graphite on paper, acrylic glass, oak frame52 x 42 x 3,5 cm
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João PenalvaReeds (II), 2003Solarised silver gelatin print on fibre paper40 x 50,5 cm
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João PenalvaReeds (I), 2003Solarised silver gelatin print on fibre paper40 x 50,5 cm
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João PenalvaAddressing the weeds in Hiroshima, 1997Dried plants, ink on paper, printed paper, acrylic glass frames and wall text220 x 420 x 5 cm
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João PenalvaDiz-se no Japão, 1997Ink on printed paper and marker pen on wood, acrylic glass frames61 x 51 x 3 cm (each)
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