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Marta SoaresUntitled, 2011Acrylic paint on canvas160 x 230 cm -
Marta SoaresUntitled, 2011Acrylic on canvas187 x 263 cm
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João PenalvaMoth-eaten pair of trousers. Never used., 2010Pigment print on Hahnemühle Photo Rag Bright White 310g paper mounted on Dibond, card, Plexiglass, waxed oak frame178 x 135 cmEdition of 3 plus 1 artist's proof
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João PenalvaDeaf boy's bone, 2010Silver bromide print on Ilford Warm Tone Glossy fibre paper and pigment print on Hahnemühle Photo Rag Bright White 310g paper mounted on Dibond, card, waxed oak frame and Plexiglass205.4 x 152 x 6 cmEdition of 3 plus 1 artist's proof
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Helena AlmeidaSem título, 2010B/W Photograph125 x 135 cm
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Gabriel AbrantesA History of Mutual Respect, 2010S16mm transfer to HD, Color, 16:9, Stereo Sound
English, Portuguese00:23:00Edition of 5 plus 1 artist's proof -
Vasco AraújoApollo’s Women, 2010Video 16:900:18:03
Variable dimensionsEdition of 5 plus 2 artist's proofs -
Vasco AraújoImpero, 2010Video 16:900:17:39
Variable dimensionsEdition of 5 plus 1 artist's proof -
Helena AlmeidaLavada em lágrimas # 3, 2009B/W photograph114 x 175 x 4,7 cm
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João PenalvaLyric Stage Door, 2006Pigment print on Inova FineArt Natural White 315 g paper dry-mounted on Dibond, acrylic glass, lacquered teak frame76 x 120 x 3 cmEdition of 3 plus 1 artist's proof
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João PenalvaO kensan perdido do Mestre Nanyo, 2006Pigment print on Hahnemühle Photo Rag Bright White 310 g paper dry-mounted on Dibond, acrylic glass, oak frame178 x 114 x 3,5 cmEdition of 3 plus 1 artist's proof
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João PenalvaYusuke’s sheepskin coat, 2006Pigment print on Innova Natural White 310g paper dry mounted on aluminium, oak frame and acrylic glass230 x 152 x 5,5 cmEdition of 3 plus 1 artist's proof
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João PenalvaNamba-naka 2 cho-me (#4), 2005-06Archival pigment print on Innova Smooth Cotton High White 315 gsm paper, dry-mounted on Alu Reynobond, acrylic glass, oak frame203 x 153 x 6 cm
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João PenalvaMinamisemba 1 cho-me, 2005-06Archival pigment print on Innova Smooth Cotton High White 315 gsm paper, dry-mounted on Alu Reynobond, acrylic glass, oak frame203 x 153 x 6 cm
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João PenalvaNamba-naka 2 cho-me (#3), 2005-06Archival pigment print on Innova Smooth Cotton High White 315 gsm paper, dry-mounted on Alu Reynobond, acrylic glass, oak frame203 x 153 x 6 cm
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Helena AlmeidaEu estou aqui, 2004B/W Photograph130 x 130 cm
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Helena AlmeidaExperiência do lugar II, 2004B/W photograph130 x 140 cm
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Helena AlmeidaUntitled, 2003B/W Photograph with acrylic white ink154 x 90 cm
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João PenalvaIchidai Onna - Detail from the cover of Ichidai Onna, by Saikaku Hiara, Published in Tokyo in 1924 or 1926 by Nippon Kite Zensyu Kanko Kai, 2003Two parts
Pigment prints on Somerset Velvet Enhanced 330 g paper mounted on Dibond, acrylic glass, maple frames22 x 22 x 1,5 cm
147 x 115 x 3 cm -
João PenalvaIf we are not to disturb the glow, 2003Pigment print on Somerset Velvet Enhanced 330 g paper, graphite on paper, acrylic glass, oak frame52 x 42 x 3,5 cm
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David MaljkovićAlterity Line, 2002-2018Oil paint on canvas mounted to dibond with laser etching55,5 x 67,5 cm
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David MaljkovićYet to be titled, 2002-2018Oil paint on canvas mounted to dibond with laser etching140x100 cm
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Helena AlmeidaDentro de mim, 2001Black and white photograph88 x 132 cm
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João PenalvaAddressing the weeds in Hiroshima, 1997Dried plants, ink on paper, printed paper, acrylic glass frames and wall text220 x 420 x 5 cm
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João PenalvaDiz-se no Japão, 1997Ink on printed paper and marker pen on wood, acrylic glass frames61 x 51 x 3 cm (each)
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Helena AlmeidaSaída Negra, 19955 photographs71 x 48 cm (each)
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João PenalvaTRIO, 1994Four parts
Acrylic paint and marble dust on canvas, tempera and graphite on graph paper, glass, teak frames214 x 475,5 x 9 cm -
Helena AlmeidaA Casa, 19834 photographies84 x 73 cm (X2)
72,5 x 84 cm (X2) -
Helena AlmeidaDesenho Habitado, 1975Black and white photograph with horsehair yarn47 x 40 cm
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Helena AlmeidaUntitled, 1973Laminated paper, ink with horsehair32 x 26 cm
45 x 38 cm (framed) -
Helena AlmeidaUntitled, 1973Laminated paper, ink and horsehair32 x 26 cm
45 x 38 cm (framed)
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