The gaze of Medusa, a female figure from Greek mythology that petrified anyone who looked at her, is inverted to look directly into a mirror revealing a man who incarnates her while singing a fado about the fate of her destiny. Entre Actos #1 (2020), one of the video sculptures, operates in a deconstructive exercise of the constancy and conventionality of certain systems – where Medusa can be a man, and a man who looks directly into a mirror. In the myth, it is the mirrored surface of the shield that determines Medusa’s decapitation – imprisoning her by her own image through a game of gazes involved in tensions between self and other.